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The Vegetarian

A Novel. Winner of the Man Booker International Prize 2016

“Surreal...[A] mesmerizing mix of sex and violence...vivid, chiseled...Like a cursed madwoman in classical myth, Yeong-hye seems both eerily prophetic and increasingly unhinged.” —
Alexandra Alter, The New York Times

“Ferocious...[Han Kang] has been rightfully celebrated as a visionary in South Korea… Han’s glorious treatments of agency, personal choice, submission and subversion find form in the parable. There is something about short literary forms – this novel is under 200 pages – in which the allegorical and the violent gain special potency from their small packages... Ultimately, though, how could we not go back to Kafka? More than ‘The Metamorphosis,’ Kafka’s journals and ‘A Hunger Artist’ haunt this text.” —
Porochista Khakpour, New York Times Book Review

“Astonishing...Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms of renunciation.” —
Entertainment Weekly

"Sometimes how a book or a film puzzles you—how it may mystify even its own creator—is the main point. The way it keeps slithering out of your grasp. The way it chats with you in the parlor even as it drags something nameless and heavy through the woods out back….That’s the spirit in which to approach 
The Vegetarian… 
The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender.”—
Laura Miller, Slate.com

“This book is both terrifying and terrific.”—
Lauren Groff

"
The Vegetarian was slim and spiky and extremely disturbing, and I find myself thinking about it weeks after I finished."
Jennifer Weiner, popsugar.com



The Vegetarian is one of 
the best novels I’ve read in years.  It’s incredible, daring, and stunningly moving. I loved it.”—
Laura van den Berg

"A short novel of sexuality and madness that deserves its great success.”—
Ian McEwan

“If it's true you are what you read, prepare to be sliced and severed, painted and slapped and fondled and broken to bits, left shocked and reeling on the other side of this stunning, dark star of a book.”—
Amelia Gray

“It takes a gifted storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent… Yeong-hye’s compulsions feel more like a force of nature… A sea like that, rippling with unknowable shadow, looks all but impossible to navigate—but I’d let Han Kang take the helm any time.”—
Chicago Tribune

“Provocative...shocking.”—
The Washington Post

"[An] utterly deserving winner of this year's Man Booker International Prize...with haunting, almost hallucinatory beauty."—
Entertainment Weekly, Best Books of 2016 so far

“This is a deceptive novel, its canvas much larger than the mild social satire that one initially imagines. Kang has bigger issues to raise… The matter of female autonomy assumes urgency and poignancy.”—
The Boston Globe

"Compelling...[A] seamless union of the visceral and the surreal.”—
Los Angeles Review of Books

"Indebted to Kafka, this story of a South Korean woman's radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock." —
O, the Oprah Magazine

“If you love books that grab you by the throat and keep you wide-eyed and shocked throughout, you’ve got to pick up Han Kang’s 
The Vegetarian.”—
EW.com

"A complex, terrifying look at how seemingly simple decisions can affect multiple lives...In a world where women’s bodies are constantly under scrutiny, the protagonist’s desire to disappear inside of herself feels scarily familiar."—
VanityFair.com

"A sharply written allegory that extends far beyond its surreal premise to unexpected depths.”—
The Millions

“Visceral and hypnotic.”—
Michele Filgate

“An elegant tale, in three parts, of a woman whose sudden turn to veganism disrupts her family and exposes the worst human appetites and impulses… [a] stripped-down, thoughtful narrative… about human psychology and physiology.”—
Huffington Post

"Adventurous readers will be blown away by Han Kang’s
The Vegetarian, in which a once-submissive Korean wife’s compulsion to stop eating meat spirals out of control. This moving story engages complicated questions about desire, guilt, obligation and madness.”—
MORE Magazine

“This elegant-yet-twisted horror story is all about power and its relationship with identity. It's chilling in the best ways, so buckle in and turn down the lights.”—
Elle.com 


The Vegetarian is the first—there will be more, let’s hope—of Han Kang’s novels to arrive in the United States…The style is realistic and psychological, and denies us the comfort that might be wrung from a fairy tale or a myth of metamorphosis. We all like to read about girls swapping their fish tails for legs or their unwrinkled arms for branches, but—at the risk of stating the obvious—a person cannot become a potted bit of green foodstuff. That Yeong-hye seems not to know this makes her dangerous, and doomed.”—
Harper’s Magazine

“This haunting, original tale explores the eros, isolation and outer limits of a gripping metamorphosis that happens in plain sight… Han Kang has written a remarkable novel with universal themes about isolation, obsession, duty and desire.” —
Minneapolis Star Tribune

"Complex and strange...Han's prose moves swiftly, riveted on the scene unfolding in a way that makes this story compulsively readable...this is a book that demands you to ask important questions, and its vivid images will be hard to shake. This is a book that will stay with you."—
St. Louis Post-Dispatch

“Brutally yet beautifully explores the gap between one person’s expression and another’s reception.”—
Harvard Crimson

"
The Vegetarian is incredibly fresh and gripping, due in large part to the unforgettable narrative structure... Han Kang has created a multi-leveled, well-crafted story that does what all great stories do: immediately connects the unique situation within these pages to the often painful experience of living."—
The Rumpus

“Disquieting, thought-provoking and precisely informed.” —
Shelf Awareness

“A horror story in its depiction of the unknowability of others—of the sudden feeling that you've never actually known someone close to you….Its three-part structure is brilliant, gradually digging deeper and deeper into darker and darker places; the writing is spare and haunting; but perhaps most memorable is its crushing climax, a phantasmagoric yet emotionally true moment that's surely one of the year's most powerful. This is an ingenious, upsetting, and unforgettable novel.”—
Publishers Weekly (starred review)

"[A] spare, spectacular novel...Family dysfunction amid cultural suffocation is presented with elegant precision, transforming readers into complicit voyeurs. Fans of authors as diverse as Mary Karr and Haruki Murakami won't be able to turn away."—
Library Journal (starred review)

“Korean writer Han Kang’s elegant yet unsettling prose conveys her protagonist’s brother-in-law’s obsessive, art-centered lust; her sister’s tepid, regret-riddled existence; and Yeong-hye’s vivid, disturbing dreams… Readers will want more of the author’s shocking portrayals of our innermost doubts, beliefs, and longings.”—
Booklist

“[A] beautiful and disquieting new novel...concise and swift, its language often almost poetic...haunting.” —
Bookpage

"The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is. An unusual and mesmerizing novel, gracefully written and deeply disturbing."—
Kirkus

"Searing...[Yeong-hye's] extreme efforts to separate herself from her animal appetites reveal the sanity and normality of those closest to her to be mere matchstick houses."—
Helen Oyeyemi, author of Boy, Snow, Bird 


"Suffused with a sensibility that evokes the matter-of-fact surrealism of Franz Kafka, featuring a female protagonist as engagingly perverse as Melville’s Bartleby, Han Kang’s slender but robust novel addresses many vital matters—from the politics of gender to the presumptions of the male gaze, the conundrum of free will to the hegemony of meat—with a dark élan that vegetarians and carnivores alike will find hypnotic, erotic, disquieting, and wise.—
James Morrow, author of Galápagos Regained

"A strange, painfully tender exploration of the brutality of desire indulged and the fatality of desire ignored, rendered all the more so by Deborah Smith's exquisite translation."—
Eimear McBride, Baileys Women's Prize-winning author of A Girl Is a Half-formed Thing

"Visceral and terrifying, 
The Vegetarian is a startling reminder of the utter unknowability of another's mind. Nonetheless, reading it, you will feel it in your flesh: the desire for peace, a plea for safety, for escape from your own inevitable mortality. It is artfully plotted yet reads like a fever dream, sweeping and surreal. It will leave you aching."—
Sarah Gerard, author of Binary Star

"Like a small seed, Han Kang’s startling and unforgettable debut goes to work quietly, but insistently. Her prose is so balanced, so elegant and assured, you might overlook the depths of this novel’s darkness—do so at your own peril."—
Colin Winnette, author of Haints Stay and Coyote 

"
The Vegetarian is a story about metamorphosis, rage and the desire for another sort of life. It is written in cool, still, poetic but matter-of-fact short sentences, translated luminously by Deborah Smith, who is obviously a genius."—
Deborah Levy, author of The Unloved and Swimming Home

"
The Vegetarian is hypnotically strange, sad, beautiful and compelling. I liked it immensely."—
Nathan Filer, 2013 Costa First Novel award-winning author of The Shock of the Fall

 

"A stunning and beautifully haunting novel. It seems in places as if the very words on the page are photosynthesising. I loved this graceful, vivid book."—
Jess Richards, Costa First Novel Award shortlisted author of Snake Ropes

 

"Poetic and beguiling, and translated with tremendous elegance, 
The Vegetarian exhilarates and disturbs."—
Chloe Aridjis, author of The Book of Clouds 

“Dark dreams, simmering tensions, chilling violence…This South Korean novel is a feast…It is sensual, provocative and violent, ripe with potent images, startling colors and disturbing questions…Sentence by sentence, 
The Vegetarian is an extraordinary experience… [It] will be hard to beat.”—
The Guardian

"This is an odd and enthralling novel; its story filled with nihilism but lyricism too, its writing understated even in its most fevered, violent moments. It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and so magnificently impervious to the human suffering around it."—
Arifa Akbar, The Independent

“This short novel is one of the most startling I have read… Exciting and imaginative…The author reveals how nature, sex and art crash through this polite society…It is the women who are killed for daring to establish their own identity. The narrative makes it clear it is the crushing pressure of Korean etiquette which murders them…[A] disturbing book.”
—Julia Pascal, The Independent

"Immediately absorbing...The different perspectives offered are so beautifully distinctive...Every word matters."
—Sunday Herald

"Shocking...The writing throughout is precise and spare, with not a word wasted. There are no tricks. Han holds the reader in a vice grip...
The Vegetarian quickly settles into a dark, menacing brilliance that is similar to the work of the gifted Japanese writer Yoko Ogawa in its devastating study of psychological pain...
The Vegetarian is more than a cautionary tale about the brutal treatment of women: it is a meditation on suffering and grief. It is about escape and how a dreamer takes flight. Most of all, it is about the emptiness and rage of discovering there is nothing to be done when all hope and comfort fails....A work of savage beauty and unnerving physicality."—
Irish Times


The Vegetarian is a book about the failures of language and the mysteries of the physical. Yet its message should not undermine Han’s achievement as a writer. Like its anti-protagonist,
The Vegetarian whispers so clearly, it can be heard across the room, insistently and with devastating, quiet violence.”—
Joanna Walsh,
The New Statesman

“[A] strange and ethereal fable, rendered stranger still by the cool precision of the prose… What is ultimately most troubling about Yeong-hye’s post-human fantasies is that they appear to be a reasonable alternative to the world of repression and denial in which everyone around her exists.”—
Times Literary Supplement

"The Vegetarian is so strange and vivid it left me breathless upon finishing it. I don’t think I’ve ever read a novel as mouth-wateringly poetic, or as drenched in hypnotic oddities, taboos and scandal. It seems to have been plucked out of the ether, ready-made to take us all by surprise. Exciting and compelling"—
Lee Rourke, New Humanist  

"
The Vegetarian combines human violence and the possibility of innocence...[A] frightening beauty of a novel." -
British Council Literature

"Uncanny."—
The Australian

"Kang belongs to a generation of writers that aim to discover secret drives, ambitions, and miseries behind one's personal destiny...[
The Vegetarian] deals with violence, sanity, cultural limits, and the value of the human body as the last refuge and private space." -
Tiempo Argentino

"[A] bloodcurdlingly beautiful, sinister story."—
Linda

 

"The almost perverse seduction of this book originates in the poetry of the images. They are violently erotic and rather nightmarish; the novel is like a room full of large flowers, where the musky odour takes you by the throat."—
De groene Amsterdammer

 

"For the fans of Haruki Murakami."—
Gazet van Antwerpen (starred review)

 

"Piercing... I was touched the most by the directness, the images, the poignant phrases and most of all the imagination with which it was written."—
nrc Handelsblad

 

"A shocking, moving and thought-provoking novel."—
Trouw

 

"Outright impressive."—
HUMO

 

"One of the most impressive novels I have read recently... You need to read this book."—
Arnon Grunberg in De Volkskrant

 

"
The Vegetarian is exciting and original."—
De Standaard der Letteren (starred review)
 
Rezension
"Surreal...[A] mesmerizing mix of sex and violence...vivid, chiseled...Like a cursed madwoman in classical myth, Yeong-hye seems both eerily prophetic and increasingly unhinged." -Alexandra Alter, The New York Times

"Ferocious...[Han Kang] has been rightfully celebrated as a visionary in South Korea... Han's glorious treatments of agency, personal choice, submission and subversion find form in the parable. There is something about short literary forms - this novel is under 200 pages - in which the allegorical and the violent gain special potency from their small packages... Ultimately, though, how could we not go back to Kafka? More than 'The Metamorphosis,' Kafka's journals and 'A Hunger Artist' haunt this text." -Porochista Khakpour, New York Times Book Review

"Astonishing...Kang viscerally explores the limits of what a human brain and body can endure, and the strange beauty that can be found in even the most extreme forms of renunciation." -Entertainment Weekly

"Sometimes how a book or a film puzzles you-how it may mystify even its own creator-is the main point. The way it keeps slithering out of your grasp. The way it chats with you in the parlor even as it drags something nameless and heavy through the woods out back....That's the spirit in which to approach The Vegetarian... The Vegetarian has an eerie universality that gets under your skin and stays put irrespective of nation or gender."-Laura Miller, Slate.com

"This book is both terrifying and terrific."-Lauren Groff

"The Vegetarian was slim and spiky and extremely disturbing, and I find myself thinking about it weeks after I finished." Jennifer Weiner, popsugar.com

"The Vegetarian is one of the best novels I've read in years. It's incredible, daring, and stunningly moving. I loved it."-Laura van den Berg

"A short novel of sexuality and madness that deserves its great success."-Ian McEwan

"If it's true you are what you read, prepare to be sliced and severed, painted and slapped and fondled and broken to bits, left shocked and reeling on the other side of this stunning, dark star of a book."-Amelia Gray

"It takes a gifted storyteller to get you feeling ill at ease in your own body. Yet Han Kang often set me squirming with her first novel in English, at once claustrophobic and transcendent... Yeong-hye's compulsions feel more like a force of nature... A sea like that, rippling with unknowable shadow, looks all but impossible to navigate-but I'd let Han Kang take the helm any time."-Chicago Tribune

"Provocative...shocking."-The Washington Post

"[An] utterly deserving winner of this year's Man Booker International Prize...with haunting, almost hallucinatory beauty."-Entertainment Weekly, Best Books of 2016 so far

"This is a deceptive novel, its canvas much larger than the mild social satire that one initially imagines. Kang has bigger issues to raise... The matter of female autonomy assumes urgency and poignancy."-The Boston Globe

"Compelling...[A] seamless union of the visceral and the surreal."-Los Angeles Review of Books

"Indebted to Kafka, this story of a South Korean woman's radical transformation, which begins after she forsakes meat, will have you reading with your hand over your mouth in shock." -O, the Oprah Magazine

"If you love books that grab you by the throat and keep you wide-eyed and shocked throughout, you've got to pick up Han Kang's The Vegetarian."-EW.com

"A complex, terrifying look at how seemingly simple decisions can affect multiple lives...In a world where women's bodies are constantly under scrutiny, the protagonist's desire to disappear inside of herself feels scarily familiar."-VanityFair.com

"A sharply written allegory that extends far beyond its surreal premise to unexpected depths."-The Millions

"Visceral and hypnotic."-Michele Filgate

"An elegant tale, in three parts, of a woman whose sudden turn to veganism disrupts her family and exposes the worst human appetites and impulses... [a] st
Portrait
Han Kang was born in 1970 in South Korea. In 1993 she made her literary debut as a poet, and was first published as novelist in 1994. A participant of the Iowa Writers' Workshop, Han has won the Man Booker International Prize, the Yi Sang Literary Prize, the Today's Young Artist Award, and the Manhae Literary Prize. She currently works as a professor in the Department of Creative Writing at the Seoul Institute of the Arts.
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  • Artikelbild-0
  • This excerpt is from an advance uncorrected proof

    Copyright © 2015 Han Kang

    1

    The Vegetarian

    Before my wife turned vegetarian, I'd always thought of her as completely unremarkable in every way. To be frank, the first time I met her I wasn't even attracted to her. Middling height; bobbed hair neither long nor short; jaundiced, sickly-looking skin; somewhat prominent cheekbones; her timid, sallow aspect told me all I needed to know. As she came up to the table where I was waiting, I couldn't help but notice her shoes - the plainest black shoes imaginable. And that walk of hers - neither fast nor slow, striding nor mincing.

    However, if there wasn't any special attraction, nor did any particular drawbacks present themselves, and therefore there was no reason for the two of us not to get married. The passive personality of this woman in whom I could detect neither freshness nor charm, or anything especially refined, suited me down to the ground. There was no need to affect intellectual leanings in order to win her over, or to worry that she might be comparing me to the preening men who pose in fashion catalogues, and she didn't get worked up if I happened to be late for one of our meetings. The paunch that started appearing in my mid-twenties, my skinny legs and forearms that steadfastly refused to bulk up in spite of my best efforts, the inferiority complex I used to have about the size of my penis - I could rest assured that I wouldn't have to fret about such things on her account.

    I've always inclined towards the middle course in life. At school I chose to boss around those who were two or three years my junior, and with whom I could act the ringleader, rather than take my chances with those my own age, and later I chose which college to apply to based on my chances of obtaining a scholarship large enough for my needs. Ultimately, I settled for a job where I would be provided with a decent monthly salary in return for diligently carrying out my allotted tasks, at a company whose small size meant they would value my unremarkable skills. And so it was only natural that I would marry the most run-of-the-mill woman in the world. As for women who were pretty, intelligent, strikingly sensual, the daughters of rich families - they would only ever have served to disrupt my carefully ordered existence.

    In keeping with my expectations, she made for a completely ordinary wife who went about things without any distasteful frivolousness. Every morning she got up at six a.m. to prepare rice and soup, and usually a bit of fish. From adolescence she'd contributed to her family's income through the odd bit of part-time work. She ended up with a job as an assistant instructor at the computer graphics college she'd attended for a year, and was subcontracted by a manhwa publisher to work on the words for their speech bubbles, which she could do from home.

    She was a woman of few words. It was rare for her to demand anything of me, and however late I was in getting home she never took it upon herself to kick up a fuss. Even when our days off happened to coincide, it wouldn't occur to her to suggest we go out somewhere together. While I idled the afternoon away, TV remote in hand, she would shut herself up in her room. More than likely she would spend the time reading, which was practically her only hobby. For some unfathomable reason, reading was something she was able to really immerse herself in - reading books that looked so dull I couldn't even bring myself to so much as take a look inside the covers. Only at mealtimes would she open the door and silently emerge to prepare the food. To be sure, that kind of wife, and that kind of lifestyle, did mean that I was unlikely to find my days particularly stimulating. On the other hand, if I'd had one of those wives whose phones ring on and off all day long with calls from friends or co-workers, or whose nagging periodically leads to screaming rows with their husbands, I would
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Beschreibung

Produktdetails

Einband Taschenbuch
Seitenzahl 208
Erscheinungsdatum 23.08.2016
Sprache Englisch
ISBN 978-1-101-90611-8
Verlag Random House LCC US
Maße (L/B/H) 20.2/13.1/1.7 cm
Gewicht 195 g
Verkaufsrang 12128
Buch (Taschenbuch, Englisch)
Buch (Taschenbuch, Englisch)
Fr. 17.90
Fr. 17.90
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inkl. gesetzl. MwSt.
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Grotesque and amazing both at once
von einer Kundin/einem Kunden am 07.09.2017
Bewertet: Einband: gebundene Ausgabe

She is the embodiment of the average person. Married to a man out of practical reasons and working at an office. Neither is she pretty nor is she ugly. She is living an absolutely average life in South Korea. One day seemingly out of the blue she decides to stop eating meat. Her behavior gets weirder every day. Her family thin... She is the embodiment of the average person. Married to a man out of practical reasons and working at an office. Neither is she pretty nor is she ugly. She is living an absolutely average life in South Korea. One day seemingly out of the blue she decides to stop eating meat. Her behavior gets weirder every day. Her family thinks her completely crazy and admits her to an asylum after she tried to kill herself at a family occasion. From this point on Han Kangs’ story “the vegetarian” becomes more and more absurd, grotesque and at times even disgusting. The line between normality and insanity blurs and in the end you won’t even know for yourself what’s “normal” anymore. Kang persuades with a great spelling style that reminds of Kafka. A story with great depths and a lot of surprises. A story you’ve been waiting for without knowing it.